On the Move (Or Not)

 

It's odd that there are so few mannequin-related horror films. They're innately creepy objects that are, essentially, oversized dolls, one of the genre's favorite villains. So why aren't there more mall-set slashers that take advantage of this?

Have you seen Don't Look Away? It explains a lot.

Quick plot: Frankie, a sad student a few days away from her LSATs, is driving home to her awful older TA boyfriend Steve when she smashes her car into a hijacked truck driver. She's not really at fault: the trucker was standing in the middle of the road after watching his assailants get brutally murdered because they made eye contact with a naked mannequin.

You know how it goes form here. Frankie goes out with friends the next night only to spot the same pile of plastic at the club where very quickly, a whole bunch of partiers are slaughtered. The police still think nothing is amiss from this young woman, even though one a day later, another pal ends up dead after, you guessed it, seeing the naked mannequin. 

This all sounds so much more fun than it is. Frankie's friends take a very long time to come around, and then they do, and we're not very happy because they're, well, pretty new to this acting thing. As they play out a half-hearted It Follows, Steve gets lost in his version of The Shining, ghost bartender and gibberish writing file included. 

Don't Look Away is clearly made on a budget, though that's really not the film's problem. Cowriter/director Michael Bafaro shows some good staging instincts when it comes to a few sequences, making the most out of his Annabelle-style immobile villain showing up without notice. For a good chunk of its first half, I found myself hopeful that Don't Look Away was on the right track. 

It's not. The characters never earn enough of our interest or sympathy to carry us through a storyline that only gets explained by the director showing up in a bit part to give some last act exposition. 

Seriously. 

This movie has not one, but two Roomba jump scares. It is indeed that kind of thing. 

High Points

Considering this film is partially dedicated to John Carpenter, it's not shocking that Don't Look Away employs a synth-y score. The surprise, considering most of this movie, is that it's actually pretty good

Low Points

There's a LOT wrong with Don't Look Away, but when the ending doesn't actually tell you who's alive, you really can't cut something like this any more slack

Lessons Learned

Most people don't crave a big breakfast after watching their friend and a batch of strangers murdered the night before

A decapitated body can wander your porch for at least two full minutes

PhD students are better than the rest of us because they understand ethical principles

Rent/Bury/Buy

Mannequin completists will certainly be able to say, "Hey, this is a movie about a murderous mannequin." So for me, there was certainly merit to watching Don't Look Away. For the rest, ignore the title. Unless you crave this kind of content: