Showing posts with label ellen page. Show all posts
Showing posts with label ellen page. Show all posts

Monday, January 2, 2017

Code Green


Remember the 2003 power outage that took out all the lights on the U.S. eastern seaboard? If you were hanging out with your parents on break from college, playing Scrabble by candlelight and having some beer with your dogs, it was kind of fun. But had that outage continued for weeks, then months, then years, it would be, well, not LESS fun because if your best skill was Scrabble then you would probably be dead before anything got too intense, but you know...you see the point.

Quick Plot: Nelly, a brainy high school student, and Eva, a dancer, live with their widowed father in a secluded modern home surrounded by forestry. One night, without any warning, the power goes out...everywhere.



With limited gasoline, the family makes one trip into town to learn that supplies are quickly disappearing and some suspicious characters may be one toecutter away from a Mad Max -esque society (the first one; we're not quite in mohawk territory just yet). Thankfully, the house has a large supply of food and water, so things should work out just fine until the nation puts everything back in order.



Because THAT'S HOW THESE MOVIES END RIGHT?

A freak accident leaves Nelly and Eva alone, save for the occasional threats of marauders and dreamboats with the ability to split up the tight pair. Between boredom, fear, and possible starvation, can the gals make it?



Based on a novel of the same name, Into the Forest doesn't quite fit your typical picture of a post-apocalyptic survival tale. As written and directed by Patricia Rozema, this is a quiet almost coming-of-age story about two young women figuring out what life is now that their world has completely shattered. The once SAT obsessed Nelly refocuses her intelligence on flora and fauna, while Eva slowly puts away her Alvin Ailey dreams for more primal matters. More importantly, the women need to learn how to trust and challenge each other.



I wasn't expecting what I got with Into the Forest, but much like the similar in tone How I Live Now, I was thoroughly satisfied. Ellen Page and Evan Rachel Wood have always been exceptional actresses with mature taste in projects, and it's kind of amazing here how both can believably play teenagers while bringing a certain actorly wisdom to their craft. They joke like sisters, fight like sisters, and ultimately display that kind of familial bond that is as frustrating as it is strong.



Where the story may lose some viewers is in its pacing. Not much really happens in the conventional plot-sense of Into the Forest, and we never see the bigger picture of how the rest of the world is handling the disaster. For me, that was fine: Nelly and Eva are compelling enough on their own that I was thoroughly satisfied with the story being told to me, even if I went into it expecting more action. This is a slow, thoughtful tale, and if you enter it knowing that, I think you'll find a lot.



High Points
I don't know much about director Rozema, but I absolutely loved her approach to the material in all areas of filmmaking. At the risk of bringing up something unimportant in order to make a point about its importance, let's focus for a moment on how nudity is handled onscreen. Because of what the characters are going through, there are times when it makes sense for them to, well, not be fully clothed. In the hands of another director, this could have read as gratuitous or worse, falsely coy (see: my constant annoyance when female characters wear bras to bed to avoid an R-rating). In the case of Into the Forest, these moments read perfectly natural. It's fascinating how far that goes in putting the audience at absolute comfort and trust with the material. 

Low Points
While obvious decisions about timing had to made in a movie that stretches just around two years, some feel a little abrupt in terms of skipping over key periods of character/world development



Lessons Learned
The danger of nicknaming your children after vegetables becomes far more apparent during times of famine

Encyclopedias may seem like ancient relics on your bookshelves, but take away the internet and how else are you going to learn which berries won't kill you? 

Sisters exist primarily to help assist in childbirth



Rent/Bury/Buy

If, like me, you froth at the suggestion of anything set at the start of a new apocalypse, then you’ll probably want to check out Into the Forest on those merits alone. So long as you know you’re getting a quiet, sisterly survival tale and now an assless chap-filled action romp, then I think you’ll find the experience rather beautiful. 

Thursday, September 6, 2012

Purr-anormal Activity: Ghost Cat



I love to imagine the day the distribution company for a minor, forgettable film discovers one of its stars went on to be a well-known potential DVD draw. You can almost feel the excitement in the office as someone drops their coffee mug to scream “Leapin’ lizards! Ellen Page starred in our very own Ghost Cat!”


Now perhaps I’m wrong about said office employee’s Annie fandom, but I do not doubt SOMEONE in the marketing department for the very first feline entry into the Animals Doing Human Stuff canon feature received a substantial bonus for the idea to capitalize on Juno’s DVD fame. Though the young Oscar nominee has yet to headline a monster hit, such a detail didn’t stop someone from reissuing 2004’s Mrs. Ashboro’s Cat as Ghost Cat, complete with the young Miss Page’s teenage face blocking out the titular spectral feline on the menu and cover art.  

Quick Plot: Page plays Natalie, a teenager moving from the big bad NYC to small folksy town of Ringwood following the death of her mother (note how in the first five minutes of the film, Ghost Cat knocks off a third of the Standard Tropes Checklist). Natalie and her clueless historical writer dad are charmed by an old house with a for-sale sign and a 15-year-old cat named Margaret. The only problem is that its owner, Mrs. Ashboro (Shirley Knight) isn’t selling, much to the chagrin of her smarmy embezzling yuppie banker nephew Boyd.


Thankfully for Natalie and her dad, Mrs. Ashboro passes away that very night, leaving her lovely two story home open for purchase. Even better, the dead Mrs. Ashboro’s neighbors include two young single teenage boys that take a liking to our cat-loving bookworm. Life in this new town is GREAT!


Well, except for the dead old Ashboro.

And Margaret, who followed her owner to the great beyond on the night of Mrs. Ashboro’s funeral.


Or DID she?

After Natalie moves in, the slightest of ghostly signs seem to appear, mostly in relation to Mrs. Ashboro’s young pal Brenda, a single blond who runs a controversial animal sanctuary on a prime piece of real estate being eyed by yet ANOTHER smarmy embezzling yuppie financial employee, this one so evil he SPEAKS ON A BLUE TOOTH DEVICE.

Shudder.

Smarmy embezzling yuppie financial dude with blue tooth device teams up with smarmy embezzling yuppie nephew banker to destroy Brenda’s animal reserve—be it via exhaust fumes or FIRE—so that Single Blond Who Runs a Controversial Animal sanctuary  can buy her land and Smarmy Embezzling Yuppie Banker Nephew can be paid so he can reimburse the bank he’s been stealing from or—

Yeah, I know…this film needs more ghost cat.


See, much like the talking-koala-bear-film-that-didn’t-really-care-about-its-talking-koala, Ghost Cat doesn’t quite understand that its prime asset is not the sordid tale of two white collar scumbags causing economic scandals. Hence, we get a whole lot of Ghost-like (as in Patrick Swayze ditto Ghost, not Ghost Cat) number crunching to conflict with Natalie’s tepid courtship of her neighbor. Whatever running time is left—and of course, it’s not enough—is thrown towards Margaret…


The ghost cat.

Now don’t get me wrong: Margaret the Ghost Cat is all sorts of awesome. She purrs with the fervor of a NASCAR race and befriends the neighborhood dogs as if she were running for mayor. Years ago, she even saved her owner’s life by waking her up when the aging woman left the stove on. I don’t care if you’re allergic: you have to agree this is SOME CAT.


But sadly, the movie doesn’t seem to think any of this is THAT special. Not when there’s land development shenanigans, embezzlement, puppy love (but sadly, not the cute kind with big paws), mortgage payments, property foreclosure, and a juvenile delinquent record to deal with. 

These things are not as fun as ghost cats.


Because c'mon! GHOST CATS!

High Notes
Though her lines are duller than an economics lesson, the young Ellen Page proves herself to be a natural, likable little actress who makes a bland but nice teenage character work


Low Notes
When your film is called “Ghost Cat” but the first major scene of dialogue involves women discussing financial problems, you have an issue

Lessons Learned
‘Partially renovated’ can mean anything

When a creepy, sweating 35-year-old man is caught prowling around your new home and teenage daughter, you can probably just laugh it off and chalk it up to the innocent fact that he misses his dead aunt


Young men generally don’t tell prospective girlfriends that they’re juvenile delinquents on a first date

Even if your bank account is near empty, if every night someone seems to be sneaking onto your property to set your caged dogs loose or, I don’t know, KILL ALL YOUR BELOVED PETS WITH EXHAUST FUMES, *maybe* it’s time to splurge on SOME form of security

Montage Mania!
It’s a ‘feeding adorable goats, puppies, lambs, and kittens’ montage! The best one yet!

Standard Animals Doing Human Stuff Trope Checklist:
New Kid In Town: Check


Recent Dead Or Divorced Parent: Check
Montage: Check-with PUPPIES!
New Friendship: Check
Potentially Inappropriate ‘Friendship’ Between Child & Unrelated Adult: Eh, it seems innocent but the perv in me likes to believe Brenda taught her 17 year old assistant something, so let’s say Check
Evil Corporate Enemy: Check (one banker plus one land developer has to add up to that)
Original Song: X
Bully Comeuppance: X
Small Town Values: Check
Back to Nature Moral: X

Overall Score: 7/10
Make no bones about it: this is indeed an authentic Animals Doing Human Stuff rep.

A-Paws Meter
Margaret the Genius Ghost Cat clearly deserved better, particularly in the ways of knowing who her audience was. I gather the makers of Ghost Cat were aiming for the family-visiting-grandma crowd, giving the kids a teen romance, the elderly a Harry & Tonto-ish relationship, and parents the constant danger of mortgage payments and, well, embezzlement. But Ghost Cat isn’t E.T., Toy Story, or that small ever so complex selection of films that transcend generations. No, this is a film that needed more ghost cat.

And if you’re wondering: yes, this review was cowritten by Mookie and Joplin. They are as opinionated as they are illiterate and adorable.