Showing posts with label mexico. Show all posts
Showing posts with label mexico. Show all posts

Monday, February 3, 2025

Shortening Some Holes

 


Welcome to the 15th Annual Shortening!




Yes, I've probably reused that joke. IT'S BEEN 15 YEARS.


What's a Shortening, you might ask due to its capitalization? February being the year's shortest month, me being a fairly short blogger, I have traditionally used this time to tackle movies exclusively featuring vertically challenged villains. Dolls, bugs, sloths, elves, and of course, one of my favorites and today's start, darn kids.



Quick Plot: An elite group of preteen boys attends a fancy version of summer camp. There they experience the usual activities: mud wrestling, capture the flag, bonfires. opera, and, well, as you might guess by the fact that this is streaming on Shudder, some horrors.



The Hole In the Fence is described in its synopsis as a take on Lord of the Flies, which is both enticing and more than a bit misleading. Anyone diving into this movie expecting a Who Can Kill a Child-esque ride will probably walk away disappointed, but in its own very different way, this movie is even more disturbing.


Directed by Joaquin del Paso, The Hole In the Fence is not a story about the evil lurking inside the young. It's actually quite the reverse: children might, by both nature and nurture, lean towards certain paths, but their real fate is mostly in the hands of the adults who guide them. The boys of Centro Escolar Los Pinos are, for the most part, wealthy, light-skinned white collar citizens-in-training. Like their chaperones, some may go on to become teachers or politicians or priests. All of these vocations are part of a system. But said system can't exist in its tiered structure without the bottom: the weak, the poor, the disabled, the victims.



The boys are told that their camp is a safe space located just outside a dangerous village filled with criminals that will rape and kill anyone better off. Though they do some charity giveaways there, it's made explicitly clear that they are not to venture outside their gate (though none of the boys seem overly interested in doing so). Things change when they discover the titular opening, a random exposure that suggests outside forces can find their way inside.



There are already other small tears in the fabric. A scholarship student stands out as the lone indigenous representative. Not surprisingly, he's the easy target of racist bullying. His only friend is a boy suspected of being gay, and when the more powerful kids turn on them, choices of loyalty are made. Another child with heavy injuries faces a different threat: a counselor with dark and abusive motives. 



The adults plant just enough seeds for their protoges to follow the same path that had, a generation before, been laid out for them. It's a cycle of violence, hatred, and hierarchy. 




So yes: not the BEST time.


The Hole In the Fence isn't a fun movie. Its horrors are societal and sad, and its 'thrills' are more a closing shot that feels like a punch to the gut. It will hurt. 


High Points

Directing two dozen children, many of whom are apparently not experienced actors, can't be an easy feat, but the results end up quite well. The boys are natural and haunting



Low Points

Considering the nature of one of The Hole In the Fence's only physical victims, it might have helped a little to have given the village and its inhabitants just a tiny bit more context


Lessons Learned

Page 666 of the New and Old Testament is more or less the same


As is true in any culture, continue to never trust men of the cloth



Chekhov's law of skinny dipping remains unbroken: your clothes will be stolen. Accept it


Rent/Bury/Buy

It's hard to say I enjoyed The Hole In the Fence, but easy to say I recommend it. Have at it on Shudder if you're in the mood for something dark and unsettling. 

Monday, February 17, 2020

Poison For the Fairies, Nectar For Me


I have no memory of adding Carlos Enrique Taboada's Poison For the Fairies to my Netflix DVD queue, but since I'll never turn down a film whose synopsis involves evil little girls, it easily fits right in for The Shortening. 

Quick Plot: Veronica lives with her ancient grandmother and superstitious nanny. Like many a little girl growing up poor in 1960s era Mexico, she wants nothing more deeply than to become a genuine witch, a tic that makes her a little unpopular amongst her prissier fellow students. 


Enter new girl Flavia, a sweet, wealthy student who quickly becomes Veronica's best friend. Veronica convinces Flavia that she's a powerful witch, something that becomes hard to argue with after she grants Flavia's first wish.


All Flavia wanted was to stop taking piano lessons. A few drops of blood to sheet music later and her tutor is dead of a stroke. Sure, Flavia's mother says it was going to happen any day, but between that and the vivid nightmares, Flavia can't deny her new BFF's paranormal powers. 


Far less naive than her richer pal, Veronica uses her newfound reputation to take full advantage of Flavia, whether that means having her "give" Veronica some of her treasures or making Flavia accept the blame for her own nasty tricks. Flavia tries to distance herself from Veronica when a family getaway comes up, but the cunning Veronica is quick to invite herself along, especially since such a remote getaway seems like the perfect opportunity to create the titular potion.


What exactly is poison for fairies? Mostly, pretty gross stuff: toads, snake skin, tarantulas, and so on. As Veronica forces Flavia to help her assemble the ingredients, Flavia finally nears her own breaking point. 


An adorable (and ultimately safe) puppy is obviously involved.

Watching Poison For Fairies, I kept thinking to myself that here's no way this isn't a favorite of Guillermo del Toro and Issa Lopez. Much like Pan's Labyrinth and Tigers Are Not Afraid, Taboada's film plays with a fascinating balance between fairy tale and reality. It may seem obvious to an adult viewing the film that Veronica's skills are based on luck and not witchcraft, but the film is extremely smart about pulling us into Flavia's perspective to understand exactly how strong Veronica's power could be. Certain deliberate filmmaking decisions help, including never actually showing the face of an adult. The incredible performances of young Elsa Maria Gutierrez and Ana Patricia Rojo complete the effect.


More haunting than horror, I found Poison For the Fairies to be genuinely intoxicating. There's a specter of terror that hangs over the whole film, and the fact that it's centered on the innocent wide-eyed Flavia means we truly care. Veronica's Rhoda Penmark-esque savvy is juicy in an excitingly cruel way, making the girls' interactions so darn compelling. 


High Points
There is a LOT to contemplate in Poison For Fairies fitting but still shocking ending

Low Points
While Poison For the Fairies is almost perfectly paced, I could certainly have used a little more of Veronica's bloody fairy tales


Lessons Learned
Girls pray before bedtime because they're afraid

Witches can do anything, especially once they have a richer friend with a better reputation amongst teachers


All pacts with the devil have to be secret

Rent/Bury/Buy
I'm so glad that I finally sat down to watch Poison For the Fairies, but also a little ticked off that I'd never even heard of it until now. I can't stop thinking about this film, and if that's not enough for you to "long wait" to your own Netflix queue or library list, why are we friends?


Also, give me your adorable puppy or I'll put a spell on you.

Saturday, February 28, 2015

A 1000 Cats?!


If there's a better way to end a month devoted to vertically challenged villains than with a 63 minute movie about human-eating cats, then I'm living my life wrong.

Quick Plot: A wealthy sadist flies a helicopter, picks up chicks, takes them to his secluded mansion, serves them brandy in comically oversized glasses, shags them in a variety of locations on his property, shows off his collection of severed heads, kills them, feeds their parts to his menagerie of domestic short-haired cats, and repeats the process.


Obviously, this is the greatest film ever put to screen.

(NOTE: Some of this review might have been written by other members of my household)




Beginning with its title--which can kind of be read as Night of a One Thousand Cats, which is adorably awkward--this is something special. Not 'good' by any conventional definition. The bulk of your film involves a man with a perm (genre stalwart Hugo Stiglitz, and yes, even Tarantino saluted him in Inglorious Basterds) in a helicopter. That's about 60% of its VERY brief running time.




But the rest involves man-eating cats.



Sometimes, there are SLOW MOTION cats. 



Often, there EXTREME ZOOMS.


And even more EXTREME CLOSE-UPS.


LOTS of EXTREME CLOSEUPS


There are GIANT GLASSES.


A mansion DECORATED WITH STUFFED BEARS AND JARRED HEADS.



And, uh, THIS:



Look, this is a terrible piece of cinema. But it's the rare piece of cinema that involves a whole lot of man-eating cats. So for that, huzzah. Huzzah to us all.

High Points
Cats. Lots of them.

Low Points
Cats, probably lots of them, most likely experienced less than ASPCA friendly treatment on this set. I have no proof of this, save for the fact that the film includes multiple moments where our villain hurls his feline costars at each other or occasionally, the camera. Considering the only place the budget seems to show up is in gasoline for the helicopter, I just can't imagine the producers doled out extra cash for a wrangler



Lessons Learned
Your a 1000 cats might hate you, but you can always count on the soft touch of your stuffed polar bear


Never beat your boss in chess. You’ll probably be rewarded by being pushed into a den of man-eating cats

Any man who longs to put you in a crystal cage is generally not long-term material


Great parenting probably doesn't begin with leaving your six-year-old daughter home alone while you take off in a helicopter to bang a millionaire with a den of killer cats


Rent/Bury/Buy
Night of (a) 1000 Cats is a dreadful excuse for a movie. But it also has a lot of cats. 5 out of 4 paws it is!


That about ties it up for this round of The Shortening. Need a little more little villains in your reading? Allow me to direct you onward to some dear blogging pals who took up the challenge.

Over yonder From the Depths of DVD Hell, blogger and podcasting superstar Elwood Jones took a trip to the desert to tackle one of my favorites, 1974's trippy Phase IV. It has less bell bottoms than Empire of the Ants, but it's still pretty darn gnarly. Head on over!


For a whole smorgasbord of short goodness, Chris Hewson, the keeper of Not This Time, Nayland Smith, has been busy as a deadly bee covering an eclectic mix of fun-size goodies, including:








Stranges!




GO GET IT ALL!