Film plots that I will never turn down: save the rec center through dance, prevent/survive nuclear war, and worldwide plagues.
1980's Virus has two out of three.
Somewhere in my personal heaven, a movie exists wherein breakdancing teenagers struggle to disarm Soviet missiles while coughing through a superflu.
If that's not motivation to live morally, what is?
Quick Plot: Ah, the Cold War, a time when everyone couldn't help but create messy scenarios that could inevitably go wrong and lead to the end of the world.
Or most of it.
After an experimental virus is accidentally released, the majority of human beings are wiped out by the new malady known as "The Italian Flu." The only hope for mankind awaits in Antarctica, where the freezing temperatures provide a natural barrier to the germs. With 800 men, 8 women, and a whole lot more (unseen) penguins, the remaining survivors (mostly scientists, thought probably not the penguins; or maybe the penguins, who am I to draw conclusions?) re-order society under the wise guidance of George Kennedy.
Things are going peacefully enough until an impending earthquake is detected. Because it's the 1980s, nuclear missiles have been locked and loaded with just about every spot of land in target for one political reason or another. An American survivor realizes that the movement from the earthquakes will trigger some bombs towards the Soviet Union, which the Russian diplomat reveals will in turn blast some weaponry toward suspected U.S. stations in none other than the lonely outposts of the Arctic shores.
Thankfully, there's one working submarine still in action, and it's captained by none other than Tourist Trap's Chuck Connors who plays a British naval officer with an accent that makes Kevin Costner's Robin Hood seem authentic. Actually, he doesn't really even TRY an accent. He just reads his script littered with Englishisms ("chaps", "you Yankees," etc.) in the same grizzly Brooklyn/Southern cadence he used as Mr. Slausen. It. Is. Weird.
Anyway, American soldier Bo Svenson(!) teams up with scientist Masao Kusakari to deactivate the bombs, now armed with a possible vaccine. Can they save the lingering bits of humanity? SHOULD they?
Virus, also known as Day of Resurrection (spoiler alert?), was an incredibly big budgeted international production directed by Kinji Fukasaku, the visionary who would go on to helm Battle Royale and fuel Emily's imagination in every scenario. Based on a novel, its international scope feels epic in intention. Unfortunately, the pared down version streaming on Amazon Prime (with some 45 minutes cut out from the original cut) doesn't quite reach the bigness the material deserves.
There's a good 45 minutes or so spent with characters who (SPOILER ALERT) die en masse as the virus spreads throughout the northern hemisphere. While it's exciting to see such an assortment of actors (Henry Silva! Glenn Ford! Robert Vaughn!), the constant shifting of protagonists takes a little too long to stabilize, eventually leading us to figure out by default that our real lead is a mild-mannered but secretly brave Japanese scientist.
Perhaps because of the editing, there are also a ton of ideas that don't quite get the attention they deserve in being fleshed out. The gender politics are incredibly complicated, and while there's a small amount of effort made to show how a society of educated individuals would deal with such matters, it ultimately feels fairly shortchanged in the overall final product.
Problems (of which there are many; did I mention this is Amazon Prime and therefore, very poorly lit?) aside, I certainly enjoyed Virus because, well, it's a movie about the end of the world involving both nuclear missiles AND a devastating plague. It's brimming with recognizable actors from all over the globe, from Sonny Chiba to Edward James Olmos to, you know, CHUCK CONNORS PLAYING AN ENGLISHMAN.
Sorry, this one just REALLY lingers.
High Points
You can't be unhappy with the sheer internationalism of the cast, which includes not just a diversity of actors, but characters from every part of the world
Low Points
Look, it's also sort of what will make me remember this movie forever so it can't be THAT bad a thing, but seriously: how DID I MENTION CHUCK CONNORS PLAYS A BRITISH CHARACTER DESPITE NOT ALTERING HIS VERY AMERICAN ACCENT AT ALL?
Lessons Learned
In the early '80s, the going rate for transporting flesh-eating bacteria was 50,000 pounds
The real secret to world peace is a stern Bo Svenson
Tying one's shoes is more difficult and time consuming than activating nuclear weapons
Rent/Bury/Buy
I can only speak to the truncated 108 minute version available on Netflix, which looks grainy and doesn't seem to flow with the full epic scale one would imagine for a film of this subject matter, budget, and director. That being said, if you, like me, love a good fashioned On the Beach-style end-of-world saga, this is certainly one loaded with a whole lot of the hallmarks of the genre. I'll be on the lookout for the extended version, which is probably (I'm guessing) the more proper way to watch.
Proper, in the truest of British forms.
I'm going back to your vaults for this one!
ReplyDeleteA few months ago you recommended a bunch of apocalyptic flicks to me. I watched Testament which I enjoyed and found genuinely depressing (which is good) despite some significant shortcomings. And I just finished Virus (the 2 hr, 35 min version found on YouTube) and holy cow, I should have taken notes throughout because there is so much I want to comment on.
First off, I actually completely missed the fact that Connors was playing an Englishman!! The way-off subtitles on the YouTube vid confused me occasionally so I must have missed a key piece of info there, and just assumed he was a Yank who had immigrated to the UK. That's hilarious, and totally on par with the rest of the film.
But yeah, so many huge problems with this film. The rape conversation at Palmer Station. Their system of EIGHT WOMEN HAVING TO SYSTEMATICALLY 'SERVICE' AKA BANG 855 MEN???? The miserable accents (I actually prefer that Connors just didn't bother with it instead of make the mess of it most of the others did). The way the director must have insisted everyone CLEARLY ENUNCIATE "MM-88" and "A.R.S." EVERY SINGEL TIME they were spoken!! The gratuitously long shots of scenery (icebergs, seals, monuments, canyons, etc) set to comically schmaltzy scores. The ARS systems still having power and multiple working tv's and giant screens despite years of the entire world falling into decay. The scene where the Japanese antarctic team hear a 5-yr old walk them through how scared he is and how he's going to kill himself with daddy's gun -- the guy on the radio going gonzo trying to get the kid to let go of the 'mic' button, lol. Then they all hear the gunshot, but how could the kid hold the mic button down during AND after he shoots himself? Come on. And Olivia Hussey always looking 10/10 gorgeous even years after a plague and nuclear war have destroyed the world!
I could go on and on, I'm just skimming over the video now to refresh my memory on these but I'll stop there. The thing is, it's crazy how huge this film was in its scope and ambitions, and it turned out to be such a turd. They aimed so high, which I think is part of what makes it seem so much worse than a regular bad film. I found it was so terrible that it was often either funny or hard to watch -- but I still loved it! I loved how grim it is (despite the sort of happy ending), I love plagues and the threat of nuclear war and all the scenes of skeletons strewn about cities. And I love the mad General who activates the ARS system -- recently I've been fascinated with that kind of understated antichrist-type figure, and that was probably the best depiction I've seen of what I've been looking for. I love his mad laughing added to the scene but with some reverb and other effects on it, that added to underworld vibe somehow. There's something so perfectly Satanic about this guy hellbent on wiping out all life on earth and the sheer joy he receives from making that happen, even if he won't be around to witness it. (Ok just re-watched that part -- the wailing guitar in that scene!!!)
I could go on but this comment is already a novel so I'll stop here. Many thanks for yet another great recommendation, I really enjoyed this one!
Weirdly, this makes me want to rewatch this movie! It's so unreasonably ambitious, and doesn't come close to achieving what it set out to do, but by golly, like you, I just love this kind of story.
ReplyDeleteOn that note, related recommendation: the novel Cold People, which has a different end of the world setup, but also ends up in Antarctica.