Showing posts with label sissy. Show all posts
Showing posts with label sissy. Show all posts

Monday, July 24, 2023

Sissy's Spiritual Sister

There's probably a decent project that digs into the professions loved by the horror genre. While television thrives on the timeless possibilities of surgeons and detectives, horror films more closely adjust with the times: a slew of scientist characters in the '50s made monster stories make more sense, the fashion industry thrived on film in the '70s for the style, camp counselors had their day in the slasher boom. If you watched a lot of low budget found footage films ten years ago, you'd be forgiven for assuming ghost hunting was the most popular career for millennials. 

Obviously, this brings me to the most prevalent vocation in today's genre output: 



Quick Plot: Madison has a successful social media following doing that thing that photogenic young Gen-Z women do: selfies and hashtags. Though glamorous at first glance, it's a lonely, unfilling life. Madison is aware that focusing on filters has somehow limited her from actually experiencing the world, and her career-focused boyfriend Ryan certainly doesn't help. Things seem to hit bottom when her passport is stolen right out of her upscale resort safe.


Traveling solo in Thailand, Madison is considering giving it all up when she meets CW, a fellow North American on her own with better travel skills. Together, they enjoy Thai nightlife, delicious noodles, scenic hikes, and living in the moment...especially on remote, fauna-less islands.


That's all the pre-credits act of Influencer, a film I highly recommend and wouldn't want to spoil another moment of it if you haven't already gone past the 26 minute mark. Head to Shudder, watch on, and come back when you're done.


For those who followed instructions:

Obviously, CW isn't quite the friend to the end Madison needed. She's as empty morally as she believes influencers are emotionally. There's a vampiric quality to how CW slips into her victims' online personas, using advanced deepfake graphic and audio design to maintain followers while going through the motions. What exactly does she get out of it? 


It's not fully clear, but I didn't mind some of the film's more complex ambiguity. Cassandra Naud is a captivating onscreen presence who easily carries the movie. We as the audience build a bit of our own guesses as to CW's motivations: with a prominent facial birthmark, we assume she grew up under extremely different conditions than the perfectly packaged Madison and later, nearly interchangeable Jessica. Yet the script (by Tesh Guttikonda and co-written by director Kurtis David Harder) doesn't fill in any blanks, and it's a wise, intelligent decision. 


Influencer didn't quite thrill me with the similarly plotted Sissy, but it's a fine companion and easily one of the best thrillers to drill into its subject matter. I'll be extremely curious to see how it plays on second watch, specifically in terms of CW. 

High Points
There's a tiny minor character detail that helps to do so much to the dynamics of Influencer. Early on, we meet Paul Spurrier's Rupert, a thrice-divorced expat who unsuccessfully hits on Madison with the kind of confidence only a middle-aged white man of privilege can have. It's easy to think of characters like Madison and Jessica as vapid, but Rupert is the perfect reminder of what women of their type have to combat. Sure, it also serves the plot in introducing CW as the kind of cool chick who knows how to put these slobs back to their place, but I think Guittikonda and Harder's script knows that someone like this can give the audience (many of whom immediately bristle at the very idea of influencer culture) some wider perspective.



Low Points
While overall, the film's pacing and storytelling fully worked for me, I don't know that I fully embraced the midpoint time flashback time shift. It seems there to develop the film's least interesting character, and while it's probably needed considering how horrible Ryan seems in the film's first act, there's something about the film's momentum that breaks a bit.

Lessons Learned
The benefits of being divorced three times is that you can identify a broken heart

Never underestimate a former Girl Scout


Fake jade can still do serious damage

Rent/Bury/Buy
Hopefully if you've read this far, you've already seen Influencer but if not, do it. This isn't a perfect film, but much like director Kurtis David Harder's Spiral, it takes a solid genre foundation and layers it in more modern ways. Not surprisingly, it's a Shudder original. 

Monday, March 27, 2023

Now Sissy That Kill

 


Sometimes you hear enough positive word of mouth about a film that otherwise doesn't seem like your thing that you say, "hey, let's give it a try." 

Then you watch it and want to put cheese in all of those mouths because they sure were right. 

Quick Plot: Young Cecelia is a successful Instagram influencer (Elon Mask doesn't just sponsor just anybody!) loaded with internal insecurity, most of it stemming from a deeply hurtful break with her best friend Emma back in their tween years. When she randomly bumps into a grown and engaged Emma while buying tampons (isn't that always the case?) Cecelia lets herself feel a tinge of peace. Maybe they can resume their friendship after all!


This being a genre movie airing on Shudder, it's not exactly the case. Cecelia, formerly known as Sissy and now STILL known that way because people are terrible, takes Emma up on a spur of the moment invitation to her bachelorette weekend glamping in the wilderness. Things are going acceptably awkward until Cecelia discovers who's hosting: it's Alex, the same girl who drove a wedge in her friendship with Emma all those years ago.


Once a mean girl, always a mean girl. Alex is the worst, even if she's spent the last 12 years sporting a Cecilia-induced facial scar. THAT'S WHAT YOU GET FOR BEING MEAN, ALEX.


It should be said: I am 100% Team Cecelia.

So stop calling her Sissy.


Written and directed by the team of Kane Senes and Hannah Barlow (the latter also plays Emma), Sissy, on paper, isn't that new a story. Heck, 85% of '80s slashers stemmed from the same plot seed of "bullied teenager grows up and seeks revenge". But there's something about Sissy so fresh and current that it absolutely nails the assignment in ways that positively thrilled me.

Influencer horror has become as ubiquitous today as found footage ghost hunting was a decade earlier. It's an easy target ideal for the genre for a lot of reasons: it builds in a certain air of unlikability around its characters, it justifies their appearances as always being on for the camera, gives clear motivation to bad decisions, and so on. But most movies centered on this industry don't seem to have much more reason to explore it beyond that. What's great about Sissy is that it doesn't just toss in the profession as a joke: it engages with it directly, first allowing the audience to draw its own conclusions, then letting characters we're getting to know slam down their own hot takes in such a way that we become defensive.


As Cecelia, Aisha Dee oozes a kind of desperate, sweet need for validation that's impossible not to grasp. Even as we watch events unfold knowing there's more to her story than one-sided bullying, we simply can't not root for Cecelia to triumph. There's a moment where Alex is a few seconds away from uploading a video that will destroy Cecelia's life. I have never found myself wishing for a bad network connection with more urgency. 



High Points
I love a good death-by-falling-off-a-rocky-rigid-hill, and Sissy packs a DOOZY. There's also a uniquely shot car accident reveal that does a fine job toying with our perception. THIS MOVIE LOOKS GREAT IS MY POINT OKAY



Low Points
You know what? Nothing. I'm not here to say Sissy is perfection or Sight & Sound's new #1, but it's so clear-headed about what it wants to explore and does so with perfect style that I have nothing to complain about

Lessons Learned
Having a fresh face makes it easier to connect with your body



Never wear a new shirt to a karaoke party

As we learned from another thriller about an unstable woman with a dangerously obsessive personality, use extreme caution in situations that include an oversized and extremely pointy gem rock



Is That a Reference?
With her long blond braids and out-of-time dress, young Emma bears a STRIKING resemblance to a similarly named titular character in an Australian film, and I want to believe this was fully intentional



Rent/Bury/Buy
As you might have guessed, I ADORED this movie. Find it on Shudder.