It should surprise no one when I admit my undying love for The Bad Seed. After Night of the Living Dead, it was probably the first black and white film that I saw as a child and immediately declared amazing. Watching it today, The Bad Seed remains a true classic: funny and mean, psychologically complex and campy cool.
Hence, when I discovered that Patty McCormack--Rhoda Penmark herself--had starred in a 1995 horror comedy-ish film about an overprotective mother with homicidal tendencies, I was, duh, excited.
Quick Plot: McCormack plays a character IMDB lists, quite simply, as “Mommy” and though I *think* she had an actual name in the film, I didn’t write anything down and so I’m just going to pretend she’s called Rhoda 2.0. Rhoda 2.0 is a single mother to Jessica Ann (Rachel Lemieux), a pleasant little girl who often wins plaques for being just darling. This year, however, Jessica Ann’s teacher has decided to give the top honor to a needier student, and if we’ve learned anything from 1956, it’s that watching the wrong child earn a medal makes Patty McCormack angry, and trust us: you won’t like her when she’s angry.
That’s a lie of course. We loooooooove Ms. McCormack in any mood, especially when she’s not even trying to cover up the bloodlust in her giant blue eyes.
Naturally, it’s not long before the school's staff has an opening. The dreadfully miscast caretaker (who seems to pronounce every line phonetically) starts to sniff out the Rhoda 2.0 clan and Jessica Ann wonders why so many people seem to die after pissing off her mother. We get a little backstory at how Rhoda 2.0 has gone through her share of suitable husbands, an amusing tidbit that’s sadly not developed nearly enough. The current suitor is (SPOILER ALERT) a secret FBI agent who also happens to truly care about the young Jessica Ann. Toss in Jason Miller--yes, The Exorcist’s Jason Miller--as a surly head detective and B-Movie babe Brinke Stevens as a sweet aunt and you have the makings of a campy horror.
Does the film do her justice? No, but her energy is almost enough to make it feel as though it did. Collins makes his directorial debut with a budget so low, its price tag nearly pops up in every shot-on-video (in 1995, no less) scene. I’m hoping the sequel--yes, there is one and worry not: it’s high on the queue--goes a little more out with the shameless kitch factor. I kind of dug some of the twistedness of Mommy’s parenting, such as how she convinces Jessica Ann to help smear the name of the late almost Mr. Penmark 2.0.
High Points
As Jessica Ann, young actress Lemieux holds her own quite well, both in her shared scenes with McCormack and the well-delivered (if barely audible) narration
McCormack’s final line is absolutely fitting as it shows the true nature of a woman more obsessed with herself than she can possibly know
Low Points
I’m not normally one to quibble with budgetary restrictions, but a little more lighting would have, you know, allowed us to see what was actually happening in the movie
Likewise, an aggressive score is the right idea for a film of this kind of nature, but we also would rather hear the (admittedly not great) dialogue than bombastic orchestral music
Lessons Learned
When confessing your secret identity or homicidal plans to the child of a murderous psychopath, it’s probably a good idea to lower your voice
Falling four feet off a ladder will kill you
If you’re employed as a caretaker, stay the hell away from Patty McCormack
If you’re employed as a caretaker, stay the hell away from Patty McCormack
A good aunt lets you stay up late to watch Seinfeld
Rent/Bury/Buy
Mommy is a film made for a very specific audience: fans of The Bad Seed. The diehards amongst that hopefully large demographic will be happy with this DVD, a disc that includes a commentary and a warm and charming interview with Ms. McCormack (who also contributed a lot to fine The Bad Seed release). For others, it's not violent or campy enough to really merit much of anything.
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