Showing posts with label cruel world. Show all posts
Showing posts with label cruel world. Show all posts

Monday, January 8, 2018

The Cult of Tweezology


Remember AIM? For the young ones out there, that's AOL Instant Messenger, an internet chat function akin to today's Snapchat (I assume?) that no longer exists. 

Side note: my AOL username was MSTyodameister, because I was the coolest person using the Internet that you could possibly know

The fact that this was by far the most exciting thing to be found in Cult says a little bit about the movie, but more importantly, a whole lot about the very specific days of the early 21st century.
Quick Plot: Picture it: the opening still image prologue to 1991's Beauty and the Beast, only instead of being about a spoiled prince and magical rose, it's an ancient Chinese maiden named Kwan Yin whose out-of-wedlock pregnancy leads her father to gouge out her eyeballs and slice open her belly, thus empowering her as some sort of goddess. 


Cut to a Taoist cult in 1990s era California (more specifically, an abandoned Chinese buffet) where a white lounge-erie-clad beauties sacrifice themselves in the name of the aforementioned Kwan Yin only for one to discover their male leader, Quinlin, is trying to steal all of their power for himself.


20 years later, the daughter of the slain cult member has grown up into Mindy (The Butterfly Effect 3's Rachel Miner), a hard-working college student who spends as much time studying ancient Chinese cults as she does shaping her extremely shaped eyebrows.

Mindy is currently working on the worst thing ever asked of a college student: the dreaded group project, this one specifically about the temple massacre. Her team includes pal Cassandra (played by the always welcome Taryn Manning), Cassandra's emo boyfriend Bailey, the school mascot/token awful human being Alex, and the MIA Morgan, soon to be found by Mindy to have brutally killed herself in the dorm bathroom in a manner very similar to those ill-fated maidens in the empty Chinese buffet.


Apparently, all it takes is for an unmarried pregnant woman to take her own life for Quinlin to reemerge, slaughtering those around Mindy with the help of an occasionally important jade amulet. Mindy's sexy Australian professor tries to help, but stopping Quinlin is no mere academic affair. 

Let's be very clear about something: like most of late '90s/early 00s horror titles that you have never heard of popping up on Amazon Prime in recent months, Cult is not a good movie. When your primary set is an empty Asian restaurant and the rules of your villain are clearly made up as you go, you do not, you know, have a good movie.


But that doesn't stop an idiot like me from enjoying it.

Maybe it's the fact that I wrote "EYEBROWS" in my notes twelve times over the course of its 90 minute run, but Cult just seemed to tickle some very sensitive part of my funny bone. The bargain bin CGI does wonders, and random lack of attention to logical detail makes you scratch your head with a smile. Take, for example, the lack of custodian services on campus. I don't care how cheap your film is, it's pretty hard to conceive of a college that doesn't clean a blood-stained dorm bathroom after a student commits suicide inside. I can accept crime tape a few days after the event, but can I REALLY be asked to believe no one FLUSHED THE TOILET THAT WAS FILLED WITH THE DEAD KID'S BLOOD?


Such moments are what make an otherwise underwhelming, probably once straight-to-Blockbuster-shelves genre flick somewhat memorable.

Make of that what you will.



Low Points
That's right: I'm reversing this! Here's why: Alex, played by Cruel World's Joel Michaely, is easily the most obnoxious and intolerable (and also, apparently, racist and intolerant) character I can remember seeing onscreen in some time. I hated his face, hated his voice, and have never wished a more painful death upon anyone on camera


High Points
I mean, I have to give some credit to a film that makes me that excited to see someone die a horrible death

Lessons Learned
Never question the moral character of the people who make your meatloaf


The best college professors are the ones who fashion themselves akin to female porn actress starring in teacher-student scenarios


It's probably not a good idea to joke about the tragic death of any young person to your fragile daughter, let alone one whose bloodied body was discovered by, you know, your own daughter



Rent/Bury/Buy
Cult is streaming on Amazon Prime, which is probably the most effort you should put into watching it. Those with a very particular nostalgia for the early 2000s might have some fun, but to call this a good movie would be a step even someone with as bad a taste in movies as myself wouldn't do. I had a good time with it, but as regular readers know, that's not always a good thing. 
 

Monday, November 27, 2017

Survivor: Edward Furlong Island



Gather 'round kids, and let me tell you tales of the turn of the early years of this century. The world was a different place, a little colder in some ways and kinder in others. Most notably, reality TV was a new religion that washed over the world like a plague. 


Competitions sprang up for every possible scenario. Survivor and Big Brother were training wheels for what came after: Boot Camp, Love Boat, Strip Search, and so on. Everyone knew someone who was constantly sending audition tapes to network after network for unnamed shows that teased of minor fame and heavily taxed big winnings. It was the new American dream.


2005's Cruel World was clearly made at the height of the trend, something you can guess by the fact that Joe Millionaire is referenced in such a way that it clearly assumes everyone in the audience knew exactly what that one-season Fox show was about. While it's no ahead-of-its-time classic like Series 7: The Contenders, this one has some fun.

Quick Plot: Philip (typically greasy Edward Furlong) is still bristling from his embarrassing loss on Lovers Lane (no, not that one), a dating show where he was rejected by the beautiful Catherine (Jaime Pressly), now married to the winning contestant and living in the very mansion where the program was filmed. Bitter and insane, Philip returns to exact his vengeance on the happy couple before setting a much more complex plan into play.



With the help of his dim but incredibly strong brother Claude, Philip invites a gaggle of attractive, fame-hungry 20somethings to the mansion under the guise of filming a new Big Brother-esque reality competition. Because it's 2005, none of the "contestants" have any reason to suspect shenanigans. After all, there were some pretty terribly produced reality shows at that time hosted by dudes like this:


Naturally, being voted out of the house has bigger consequences than losing out on a cash prize and being confined to a deli interview on Late Night (seriously; in the early days of Survivor, David Letterman was so annoyed with CBS forcing him to interview reality show castoffs that he wouldn’t allow the guests in his actual studio). Each elimination is a murder at the hands of Claude or, as the game gets more intense, fellow contestants. 


Directed by Kelsey T. Howard with a clear venom towards the reality genre, Cruel World has a tricky time nailing its tone. There’s a nastiness to its opening, savagely disposing of a happy couple before thrusting a batch of somewhat horrid young people at us. As the cast gets thinned out, the contestants become a little more human and sympathetic. That kind of makes it worse.


I don’t mean to imply that I hated Cruel World. As someone who watched my share of Temptation Island, it felt like a recent time capsule that found a good look into the reality TV boom. I wish the satire was sharper and characters more tolerable, but on a certain level, this is a film that has aged somewhat well in terms of its social politics. It doesn’t make it any more pleasant to actually watch, but hey…it’s more than I expected from an Edward Furlong movie I’d never heard of streaming on Amazon Prime.


High Points
In a post-Gamergate world, there's something incredibly disturbing and  sadly believable about Cruel World's central villain, a socially awkward but tech-smart young white male so embittered by not his dream girl that he'd go to such violent lengths to right the perceived wrong


Low Points
There's an art to ending your film with a nasty stinger, and then there's "just throw some mean twist at the end without any context so we leave our audience feeling kinda crappy"

Lessons Learned
Want to throw your attacker off? Pee on him when he least expects it


Before leaving for a mystery reality competition, carb load

If you arrive at a reality show filming to discover you’ll be sharing a house with Andrew Keegan, assume the role of the smarmy villain has already been cast and promptly choose another one, like cowboy or token gay guy


Rent/Bury/Buy

I hesitate to fully recommend Cruel World to the general public (well, the general readership of the Doll's House, which is an entirely different thing of its own). It has a mean streak and sense of ugliness that I don't generally enjoy, but for anyone with a solid foundation of the reality TV craze that defined the early 2000s, there's a whole lot to appreciate. You can find it now on Amazon Prime.