Showing posts with label scary or die. Show all posts
Showing posts with label scary or die. Show all posts

Monday, July 15, 2013

Wine, Worms, Witches, & Killer Boobs


Hey! Hey YOU! Did you know that in 2006 (or some time before), Ken The Devils Russell, Joe Gremlins Dante, Sean S. Friday the 13th Cunningham, Monte Silent Night Deadly Night III Hellman, and John I Did a Lot of Visual Effects on The Matrix Series Gaeta got together and made a horror anthology? A horror anthology that involves carnivorous breasts, Japanese monks, and dislocated French vintners? 


Thanks to blogger supremo Joe Blevins of Dead 2 Rights, I did. Is that a good thing? 

I’m not sure.

Story 1/Wraparound
Because Dick Miller pops up for a cameo, we instantly know that the framing device is directed by Joe Dante. The premise is simple: a lovably kooky old man leads a starlet and her boyfriend, architect and his wife, screenwriter and the scowl of John Saxon, and mildly Goth girl with an attitude on a tour of a Hollywood studio, stopping in a famed haunted house to lock the doors and force the tourists to tell scary stories about their lives. 


Story 1 is notable for being the only one that does not involve copious female nudity and /or women being sexually pleasured/assaulted by things they assume are male body parts, but are in fact supernatural entities that want to eat them in a non-sexy way.


Moving on.

The Girl With Golden Breasts
Before synopsizing, I need to get something off my chest (har har): why no ‘the?’

Normally, I’m all for cutting unnecessary words and articles in titles. But in this case, you have a perfectly cheesy joke of a title that is, I assume, clearly meant to call to mind The Man With the Golden Gun. So why lose the ‘the?’ “The Girl With Golden Breasts” misses the easy joke, and ultimately sounds messy. 


Now onto the story, which involves a wannabe Hollywood starlet getting experimental breast implants that naturally have fangs and drink blood.


That is that.

Did I mention Ken Russell directed this one? And appears in it in drag?


Indeed, that's that.

Jibaku
No, not Jigoku, a far superior Japanese horror film that helped to usher in a new style in genre cinema. This is about JiBAKU, and no, I have no idea what that means, mostly because it wasn't easy to stay awake for this one.


Directed by Sean S. Cunningham, one of Jason Voorhees' fairy godfathers, Jibaku follows the aforementioned husband and wife on a trip to Japan, where the Mrs. becomes intrigued by a handsome stranger who ends up being a suicidal monk, easily leading us to the film's winning line:

"I was sexually molested by a dead monk and dragged into Japanese Buddhist hell!"


I can't think of any response to that, other than, perhaps, "How was the weather there?"

Stanley's Girlfriend
In 1950s Hollywood, Stanley is a great director with a skanky girlfriend who seduces his screenwriter friend Leo. 

Leo grows up to become John Saxon. 



Skanky girlfriend might be a witch. 



Monte Hellman also made the third (and dullest) Silent Night Deadly Night movie. Stanley's Girlfriend is one fifth of a movie. 



Movies are composed of scenes. Scene It is a game involving trivia. 

Jeopardy! is my favorite game show. It involves a variety of trivia, usually being delivered by a snooty Canadian, sometimes derailed by a hideous invention called The Clue Crew who travel the world doing fun things like petting wild animals in the Galapagos Islands or touring German chocolate factories. 



One of them is named Sarah. 



She sort of resembles Hatchet Face from John Waters' Crybaby, which includes a lot of scenes that are far more enjoyable than anything that transpires in the 10 minutes or so of Stanley's Girlfriend.

Apologies for the derailment, but I would rather watch Alex Trebek stand in line at the DMV than Stanley's Girlfriend. I think that was the point I was getting at.

My Twin, The Worm
Perhaps it's one of the lesser known Twilight Zone: The Movie curses that calls for anthologies helmed by multiple directors to generally have the better segments made by lesser known names. Such is the case with visual effects designer (and first time director) John Gaeta's My Twin, The Worm, a messy but entertaining tale about French immigrants/extras from Les Miserables who come to the U.S. in the 1970s to make wine, wear provincial garb, and consume undercooked meat that leads to a parasite growing beside our narrator inside the womb. 


Surprisingly enough, growing up for 9 months next to a parasitic worm (but not in the lair of a white one) can do some damage on your psyche. Add in a mildly wicked stepmother--who, guess what? also gets a scene wherein she thinks she's being pleasured in bed by her husband but is actually being mangled by a parasitic worm--and you have what might be the most interesting story of the bunch. 


That's not saying a WHOLE lot, although overall, I found Trapped Ashes enjoyable in a 'huh?' kind of way. Written by Dennis Bartok, none of the stories are actually scary, but Russell's and Gaeta's segments are at least amusing and the other two, while rather bland, are still better made than what you generally find in the worst of horror anthologies made in the 21st century.

Make of that ringing endorsement what you will.


High Points
Between Dante's wraparound and Hellman's period-set tale, the affection for old Hollywood is a nice touch


Low Points
Aside from the fact that the whole project feels as though it was either filmed in a week or while cooking a big dinner and killing time as the ingredients hardened or baked, there is indeed a strange attitude towards the female sex that feels a tad exploitative. The fact that all four stories seem very concerned with a) showing female nudity (and male only in the animated form) and b) having turning points always happen while a woman is naked in bed feels seedy when not handled with any real sense of wink


Lessons Learned
Actresses don’t mind the spotlight

Marriage can be defined as wishing death upon each other

A Heather Graham type is cute and likable


Rent/Bury/Buy
Like Scary or Die, Trapped Ashes is a mixed bag anthology with some fun (Golden Breasts and Worm) and some clunk (Stanley's Zzzzzz, Jibaku). The mere fact that luminaries Dante and Russell are involved certainly makes it worth an Instant Watch gander, but then again, any film that involves a woman's breasts drinking blood through crazy straws attached to martini glasses generally does that on its own.



Cheers.

Tuesday, June 11, 2013

Party Favor Mix Bag


As linking stories in a horror anthology go, "clicking on a website to watch short films" has got to be one of the lazier excuses to tie a few segments together. But hey, when one of those segments involves a kid from High School Musical trading in his trademark Justin Guarini perm for a homicidal clown afro, things can't be all bad.

Quick Plot, Web Video #1: In "The Crossing," a pair of crass white power infused rednecks truck it down to the border with a somewhat reluctant gal in tow. The plan? Empty the two Mexican-Americans in their trunk and do bad things, stopping along the way to make (what I assume to be) unrequested free advertising for Beef Links Jerkey, Cheetos, Marlboro cigarettes, Red Bull, and Smuckers Goobers, of which we learn an important trick for getting some extra flavor from moonshine.
Also, there are zombies.



Quick Plot, Web Video #2: Anthologies are generally tricky beasts to summarize, since their short running length almost forces you to say the usually obligatory twist just to crank out a full sentence. Normally, I'd refrain from doing such a thing, but since "Taejung's Lament" is such a dull and pointless yarn, I will SPOIL without too much regret: a sad widower wanders the Korean section of LA, saves a lady of the night from abuse, discovers she's a vampire, and Van Helsing shows up.


I'd like to say I'm kidding. 


I'd like to say nachos grow on trees and subway prices are going down.


I'd like to say a lot of things.

Quick Plot, Web Video #3:Told out of sequence for reasons clear to...someone maybe..., "Re-Membered" follows a hitman attempting to dispose of a few loose ends (I'm here all week! Try the Anne Veal!). It has a few laughs and an engaging performance from lead Christopher Darga, but for its brief running time, "Re-Membered" is surprisingly confusing.


Quick Plot, Web Video #4: Easily Scary or Die's MVP, "Clowned" tells the tale of Emmett, a casual drug dealer with a loyal devotion to his kid brother and the ill luck of being attacked by a rabid party performer. Before you can unsee that topless photo of Vanessa Hudgens, Emmett is turning a cakey shade of white, developing a serious case of Sideshow Bob shoe, and fighting a craving for the sweet taste of children's flesh. It's Metamorphosis with bigger noses, and surprisingly, incredibly enjoyable from its ominous opening to its final comic punch.


Quick Plot, Web Video #5: We're not kidding when we say quick. In 90% less time than it takes to be waiting in line at Marshall's, we learn the story of a young woman whose husband beat her to death, whereupon she remembered the skills of her witch doctor grandfather and came back from the grave for vengeance and to, well obviously, watch a bunch of videos on a website called ScaryOrDie.com. Frame!


The brainchild of Michael Emmanuel, Scary Or Die falls prey to the typical symptoms that plague anthology films: uneven tones and the token mixed bag of quality. Thankfully, its midsection is genuinely enjoyable, making the slog through the second story (and discomfort of the greasy first) worth it. While there are subtle tie-ins that try to duplicate the skillful interweavings in Trick 'r Treat, Scary Or Die never quite rises to being clever as a whole (especially when one actor shows up in a completely different role in a later segment).
Still, for a new horror anthology to hit Instant Watch and not make me hate the world (cough cough VHS), Scary Or Die is a fun collection well fit for a lazy afternoon.

High Points
There's a reason "Clowned" gets the box cover, and it's just because most people are just, you know, afraid of clowns. While the narration style makes it a little uneven, the blend of comedy ("I can't believe you got bit by a clown") and horror (an eerie dream sequence won't have you taking your little brother for picnics any time soon) is surprisingly well done. This could easily have been expanded into a full-length feature, and it's almost a shame that it's buried here.


As a fully supportive member of the Verbing Nouns Club, I embrace the titling of segment 4 as "Clowned"

Low Points
Was I supposed to laugh out loud at "Taejung's Lament"'s final shot? Also, was I supposed to hate the story?

Lessons Learned
Cheap razors are not the ideal tool for shaving off supernatural clown makeup


Being puked on by your dealer entitles you to one free transaction

When not munching on racists, zombies enjoy killing an hour or so by surfing alternative youtube sites


Rent/Bury/Buy
As a 90 minute Instant Watch, Scary Or Die is quite akin to a bag of Chex Mix. If you can separate and skip the lame circular pretzels (Taejung's Lament) and not pay too much attention to the square ones (The Crossing), there's some mild pleasure to be found in the actual Chex (Re-Membered) and genuine joy in those big 'n spicy bagel chip things (aka Clowned; I guess Lover's Walk is the air inside the bag in this metaphor). Those who like to complain about modern horror will probably find plenty to complain about, but if you're looking for something a little different from the usual slasher fare, this is more than worth a gander.