Showing posts with label liam cunningham. Show all posts
Showing posts with label liam cunningham. Show all posts

Monday, December 8, 2025

Winner Takes It All


There's a certain joy in good dumb fun action movies that's hard to match. 



Cue The Tournament.

Quick Plot: Every seven years, 30 of the world's greatest assassins are invited to play in The Tournament, a battle royal with a $10 million prize and the chance to make a roomful of wealthy betters even more. 


It's a simple premise that doesn't really need much more setup. There are no rules, which means civilians caught in the crossfire or used as human shields are simply part of the game. This doesn't bode well for alcoholic priest Father MacAvoy (the always welcome Robert Carlyle) who breaks a commandment when stealing an abandoned cup of coffee only to face some divine punishment when he swallows a contestant's tracking device. 


That's one more player to add to our roster. Also in the mix is stoic yet sympathetic Lai Lai Zen (Kelly Hu), psychotic Texan Miles Slade (Ian Somerhalder, who I thought was Chace Crawford showing personality before realizing that was impossible), parkour expert Anton (Sebastien Foucan), and returning champion Joshua Harlow (the one and only Ving Rhames). Harlow has returned for a more important motive than money: one of the players in the game assassinated his pregnant wife, and he's here for vengeance.


Plot schmot, let's watch physically fit people creatively murder each other...and so we do.


Director Scott Mann has an efficient approach to the material. I don't know why this script required three writers, since all of the character work seems to come from the actors and their physicality. Kelly Hu makes for an appealing lead, even if we get little insight into her actual character. Robert Carlyle is an incredibly versatile actor, and he threads a rather effective braid of pathetic, sympathetic, and amusing in his confused holyman. There are bus chases, hand-to-hand combat, explosions, and shootouts in strip clubs. 


This movie understands its audience.

High Points
We're not quite at Atomic Blonde levels, but The Tournament really does deliver on its violent action, and having someone as physically capable as Kelly Hu as its lead doesn't hurt



Low Points
I'm not really mad that we get so little backstory on any of the characters, but it's a bit ridiculous that Robert Carlyle's priest is introduced at such a low point and the film never actually pauses to explain why he's there, nor really why he's willing to work so hard to get out of it

Lessons Learned

A hanging slab of meat is the new shield


UK laxatives are incredibly ineffective



Assassins never know why


Rent/Bury/Buy

If you're in the mood for a super violent action flick, this should easily satisfy. I found it on Tubi, though it may have since jumped around. Toss a tracking device in the nearest cup of coffee and we'll see where it lands.

Monday, August 1, 2016

Game of Scones


There are few actors who can be the sole reason I check out a film. The sinfully underrated Pollyanna McIntosh is one of those few. 


You might know her as the silent Fifth Element-y assassin Angel in Hap and Leonard, or the standout businesswoman in the clever Exam. More likely, you’d spot her as the titular The Woman, a film that was all but made because McIntosh was so damn good in the otherwise passable dollar store version of Offspring. Even when she’s working with little (the bland The Blood Lands, for example) McIntosh brings it all, sort of like a Debbie Rochon but with much better results. 


Add in Davos Seaworth (or actor Liam Cunningham, whichever you prefer) and you can bet your haggis that I’m giving Let Us Prey a go. 


Quick Plot: Rachel Heggie (McIntosh) is starting her first night as constable in a small Scottish town. Her sergeant is a religious, misogynist prick, while her fellow two officers, Warnock and Mundie, are more concerned about their affair than enforcing the law. From a crime-safe perspective, Mayberry was in better shape. 


As soon as she clocks in, Heggie witnesses a drunken teenager named Caesar drive straight into a mysterious, possibly homeless man named Six (Cunningham) who all but disappears upon impact before being brought in by Mundie and Warnock. 


Six is locked up in a now-crowded jail cell with the punky Caesar, a wife beating schoolteacher, and the local doctor, who is called in to check on Six but soon joins him when he inexplicably tries to stab his patient. Sgt. MacReady leaves his young staff to take care of his own sinful matters, as Six reveals a certain kind of sensory power.


Six, you see, is something of an avenging angel, an ageless creature who can see one’s past crimes at the mere touch of a hand. Not surprisingly, all the assembled parties have some grisly skeletons in their closets. 


Directed by first timer Brian O’Malley, Let Us Prey is an incredibly pleasant surprise of a horror movie. As expected, McIntosh’s character is a believable badass, and her character has a rewarding, surprising arc. Once the story is established, the plot pretty much follows the beat you expect, but it does so in an intense, never dull fashion. I certainly could have used more of everything--more character development, more establishment of the town, more time for the sinners to show some layers--but hey, any film that makes you want a sequel is certainly a good thing.


High Points
It’s a tad heavy-handed, but the score and photography--particularly during the opening credits--are so darn dramatic that they send a pretty strong and effective sensory overload to keep the stakes high


Aforementioned glory that is Pollyanna McIntosh and Liam Cunningham


Low Points
It might have been nice to have a little more nuance to the rest of the characters, who mostly end up as stock jerks


Lessons Learned
A speaker implies. A listener infers

Never call a psychotic repressed Christian homosexual “old”



Even small towns keep a reliable supply of battering rams

Rent/Bury/Buy

Let Us Prey isn’t perfect, but it’s a solid, quick-paced little tale that I found to be highly enjoyable. The cast is obviously tops, and the photography is, at times, truly gorgeous. It will be exciting to see what else we get from Brian O’Malley. This one’s on Netflix Instant, so go for it.