Showing posts with label buffy. Show all posts
Showing posts with label buffy. Show all posts

Monday, December 23, 2013

Snoop Doggy Bones


Aside from directing episodes of some of television's best shows, Ernest R. Dickerson is a filmmaker with two outstandingly fun credits to his name: the Billy Zanetastic Tales From the Crypt Presents Demon Knight and the all-star Most Dangerous Game blast Surviving the Game. 


The man has a nice touch.

Quick Plot: A group of industrious teenagers decide to turn a long-abandoned slum house into a hip and hopping nightclub. What they don't know is that said facility was once the home of Jimmy Bones, a man who ruled the '70s with pimp style and a heart of gold. 

Sadly for the community, Jimmy was murdered by some crooked cops and aggressive drug dealers, leaving his neighborhood to crumble and the love of his life (Pam Motherf*cking Grier) alone with a daughter that grows up to be none other than the terrifyingly ageless, deadly expressionless Bianca Lawson.


Can we talk about Bianca Lawson for a moment? Most folks would recognize her as Kendra Dee Vamp-ir Slayer, aka the Blight On Buffy Season 2. Young'ns might identify Lawson as Maya, the bisexual teenager who helps Emily Fields come out on ABC Family Channel's Pretty Little Liars (not that I, a 31 year old woman, watch it or anything...). 


Even if you aren't a fan of a YA-series-based television show that values fashion as much as mystery, you have to be able to appreciate the fact that this mediocre-to-dull actress is still playing a teenager nearly 20 years after giving Sarah Michelle Gellar a (thankfully) temporary sidekick. 


End of my 'Biance Lawson Is Probably a Vampire' theorizing. 

Time to start the 'Pam Grier Just Keeps Getting More Awesome' lecture-


Actually, I guess we can get back to the movie. Which sadly now much lead to the 'Snoop Dogg Is Fine When He's Not Talking' sigh. Especially when the talking involves rhymes. Or rhyme-ishes, whichever.


Bones, you see, has been laying undisturbed in the slum building-soon-to-be-turned-into-a-happening-nightclub. When the teens move their equipment in, they accidentally resurrect Jimmy (or a dog does it; I'm not that observant really) who now, in his supernatural ghost spirit form, is ready to wreak revenge on his killers. Those who get in the way are simply collateral damage.


Far from a great film, Bones is a surprising amount of fun once it finds its foothold in its blacksploitation roots. While the modern teen stuff meanders, the adult cast (many with strong '70s roots like the divine Ms. Grier) helps to keep the tone refreshingly throwback. Like some of Dickerson's other work, Bones wobbles over the line of horror and comedy, and would probably have benefited from committing stronger to the latter. By the time Snoop Dogg is holding the decapitated but still smack talking head of his enemy, Bones has made its decision.


High Points
Sometimes, just existing is something special. In this case, who'dve thunk to make a blaxsploitation-inspired horror comedy in 2001?


Low Points
Ah, 2001, a time when practical effects were occasionally still celebrated, making the simultaneous use of atrociously dated CGI all the more glaring

Lessons Learned
Cigarette lighters provide about the same amount of light as turning on a switch

Some holes just can’t be filled

Nothing is quite as flammable as a polyester dress from the 1970s


A gangsta of love don’t eat no fried chicken (when a CGI human-faced dog says it, you know it's true)

Speaking of Pretty Little Liars, did you know that four can keep a secret if three of them are dead?


Look! It's-
American Mary herself, Katharine Isabelle in a fairly wasted role as the hero’s stepsister


Rent/Bury/Buy
To my knowledge, Bones had a pretty bad reputation as being laughable. While Snoop Dogg trying to act is kind of ALWAYS laughable, the film itself is a perfectly fun time, and those with affection for blaxsploitation will find a lot of little bonuses to enjoy.

Tuesday, September 11, 2012

That's Right, Go Beg Somewhere Else



Because if you do, you might get some positively delicious treats!

Animals Doing Human Stuff  Month can't, after all, be contained to one little doghouse of the Internet blogosphere. That's why today, I'm throwing that frisbee all the way down under to Australia (yes, the same place that Ozzie lives in all his talking koala glory). Chris Hewson, keeper of all things Not This Time, Nayland Smith, has bravely stepped up to the fence to take on the failed Peter Boyle tv pilot, Poochinski.


How a show about a talking police dog could have failed to get picked up is a mystery better left in the 20th century. For us modern kids, let us mourn the loss of what most likely would have saved humankind by always remembering the name Poochinski.

Even if he's kind of really creepy 
In fairly unrelated news, I like Buffy the Vampire Slayer.


The sound of a million monocles popping.

To prove it, I recently guest starred on First Times With Fozzie, my dear pal Fozzie Bare’s fine little dish of a podcast that covers all things first—ALL things. Head here to download or stream the Buffy spectacular, where myself, Fozzie, my cohostess with the mostess on GleeKast Erica, Jeremy the Fake Shemp, and Outside the Cinema’s founder and chief Bill By Force discuss the first time we ever sat down to see Sarah Michelle Gellar alternate with a talented stunt double while delivering kickass puns in unreasonable shoes.


And remember: if YOU have a review of an Animals Doing Human Stuff film, shoot me an email at deadlydollshouse at gmail dot com so I can give a big wet slobbery kiss of a link.

Wait for me, Poochinksi. 


Tuesday, August 30, 2011

Audio Pleasures On Everything You've Ever Needed to Be Audio-lly Pleasured

What do Donald Sutherland's mustache, armpits, cake, backpfeifengesicht, the unsexiness of the cast of The Reef, Buffy the Vampire Slayer's ex-boyfriends, Fred Savage and Martin Short rapings, and baby tossing have in common? 


His mustache is thinking...
All get their due in this week's episode of Girls On Film, now available for FREE download or stream. The ladies and I head on a whirlwind worldwide tour, stopping in Venice to watch the aforementioned Sutherland's afro make love to Julie Christie's aforementioned armpit in Nicholas Roegg's classic Don't Look Now, then paddling our gondolas over to Hong Kong (it's a long journey that takes a good 20 years) for a discussion of John Woo's Once a Thief. 




It's free! It's feminine! It magic for your ears and ready for the exploiting!


Get it. Before he gets you...



Wednesday, May 4, 2011

Triple D Action (But probably not the kind you're hoping for)





Look, SOMEONE had to see Dylan Dog: Dead of Night. Brandon Routh's mom can only buy so many tickets before the poor lug starts getting suspicious.
Quick Plot: Dylan Dog (Superman Returns’ Routh) is a private investigator stuck with goofy sidekick Marcus (Superman Returns’ Jimmy Olsen, because apparently there was some kind of sale), a token tragic past involving a dead love, and a really, really stupid name. Though he makes a decent living digging up dirt on cheating spouses, Dylan Dog’s real talent lies in monitoring New Orleans enormous population of vampire club kids, werewolf butchers, zombie bouncers and international antiques smugglers.


It’s the latter that starts Dead of Night (out of respect, I’ll refer to this naively self-believing franchise starter by its subtitle so clearly designed to be the first of many Dylan Dogs that will never be made). Dylan Dog reluctantly takes a job investigating the death of a relics trader whose daughter Elizabeth (or just call her The Girl) quickly velcros herself to Dylan Dog’s rigidly ripped chest. Before you can say true blood--and don’t worry, it’s said a lot--Dylan Dog is fighting werewolves, appendage shopping for the newly zombified Marcus, staring down evil club owning vampire Taye Diggs and sorta kinda bemoaning the loss of his past lady love who was--big surprise--brutally slaughtered some time ago.

You might have noticed the fact that I have only been referring to Routh's character by his full Dylan Dog name. When you have a character with such a title, it behooves a lowly blogger to use the words 'Dylan Dog' as often as possible in a review because really, has there ever been a better named protagonist in cinema history?
Dylan Dog!


Going into Dead of Night (teehee), my expectations were not high. In truth, they were lower than a limbo stick at an Attack of the Puppet People beach party. The fact that I don’t know a single living creature that has seen the film didn’t bode well, and the trailer made me think it was actually a CW mid-season replacement (in part because I don’t know the difference between Brandon Routh and Tom Welling). I’m still not entirely certain Mr. Routh is an actual human being. Part of me is convinced he was simply grown and harvested in a laboratory to play Superman and with that film’s rightful bombing, is now being leased out half price to smaller action films in a bid to recoup some of the genetic farming costs.


But hey, why beat a handsome hunk of wood when his film has already opened in 18th place with a low per screen average? Dead of Night is imperfect all around, but it’s also surprisingly fun. The film never tries to take itself remotely serious, keeping a popcorn light atmosphere throughout its hand-to-hand Buffy-esque battles, supernatural mythology slideshows (seriously), and awkward barely there love scene that feels crammed in merely to prove Routh still has his Superman physique. Don’t mind the fact that he can’t seem to bend or emote.


This is the kind of movie that trusts the holographic Brandon Routh to narrate about 45% of its running time in what I guess was an attempt at capturing its original source material comic frames or old school hard-boiled detective mood. That was the first of Dead of Night's many mistakes, though after a while, you kind of forgive it. Unlike a lot of slicker studio horror films, Dead of Night at least *tries* to entertain, pulling out every possible trick it can muster to give you a small smile. Most of its jokes have been done before and better, but there's a genuine charm about how much it wants to make you happy. 

Think of it as the cinematic equivalent of Clippy, that bright-eyed but useless icon that used to stalk your typing in Microsoft Word. It REALLY wants to please. It will most likely be deleted.


High Points
He doesn’t get nearly enough screentime, but Peter Stormare’s werewolf patriarch easily lends some juicy sparkle where it counts, particularly after a too-long intro focused squarely on the cardboard Routh. More teeth-clicking please.


Low Points
So that big buildup to the monster master happened. Then it ended. That was that eh?
Lessons Learned
Women who bang vampires are also the world’s heaviest sleepers
The go-to accessory for true blood addicts is a beanie
Before activating your apocalyptic vampire relic, you should really consider reading that owner’s manual


A lesson to the ladies: post-coital vampire-warding-off gifts are actually useless, though they do make that morning seem nice and important
New Orleans is filled with many monsters, lots of worms, and a ton of New Yawk accents
The Winning Line
“The human race is obsolete y’all”
This is gigglesome for various reasons, the most prominent being that Taye Diggs is a smooth as butter man with an eloquent speaking (and singing) voice. So tossing in ‘y’all’ is ridiculous in a near-offensive manner. But also hilarious.


See/Skip/Sneak In
Dylan Dog: Dead of Night is like that quiet kid in your fourth grade class that everyone forgot existed. It’s not that he/she is mean or smelly or a Nazi or anything; just really forgettable. There’s a part of me that wants to encourage a matinee viewing just as penance to make up for all the years you didn’t invite Little Boring Classmate to your bowling alley birthday party. It’s a good-hearted film made by C-listers with lots of enthusiasm. There’s plenty of zombie humor (some quite inspired, a lot not at all) and some genuinely chucklesome monster gags that certainly make it an eventual lazy rental or instant watch. If you’re in a part of the world where the weather isn’t currently gorgeous and 65 degrees, then I suppose you could kill 100 minutes with a viewing. I'm not really advocating that you do, but I feel like no one else will and so, you know...buy a ticket if you're running from the cops and need a place to lay low for a while? That happens, right?

Saturday, February 12, 2011

Sunnydale Minis

There's something I love in this world just slightly less than my two cats, yet have talked about on this website far less than the remake of It's Alive, odd because that is something I don't love at all.
I speak, of course, about a small television phenomenon known as Buffy the Vampire Slayer. I...you know, kinda dig it*

*Note: Kinda dig translates into have watched the entire series run in full at least three times*
Savvy Doll's House readers should be well aware that we're smack in the middle of a special month I've dedicated to vertically challenged villains. Over its seven year lifespan, Buffy introduces us to several bad boys that fit right in.

Fear Itself, Gachnar the Demon

Giles: Xander, don't taunt the demon.
Xander: Why, can he hurt me?
Giles: No. It's just...tacky.
But seriously, Gachnar IS a cute wittle dweam demon. Sure, he's the cause of the Scooby Gang's worst Halloween party ever, leading Buffy to fight zombies, Willow to flee fireflies, Oz to wolf out pre-full moon and Xander to go invsi-girl, but he's also the size of Dollman with the vocal strength of the Mayor of Munchkin City. Who knew Napolean complexes extended to the supernatural?

The Puppet Show, Sid the Demon Hunter


Sid: Though Buffy’s first season remains my own personal least watched and liked, it did produce perhaps my favorite conversation ever spoken on television:
Willow: I think dummies are cute. You don't?
Buffy: Eww. They give me the wig. Ever since I was little.
Willow: What happened?
Buffy: I saw a dummy, it gave me the wig. There really wasn't a story there.
Doesn’t that capture the very essence of dummies? We can't explain why they're so unsettling, but show a perfectly adjusted adult the horrifically horrible TV ad for Magic and I cannot promise you she will not require therapy or at the very least, a clean pair of pants. 

The beauty of The Puppet Show (aside from the show's sole ending cap featuring the worst/best ever rendition of Oedipus Rex) is that Sid, the frisky little talent show star-to-be, isn't actually the baddie of the episode. Quite the opposite: he's a demon killer himself, a former hero confined to a wooden body following a pesky 50+ year curse. He still remains a little creepy--dummies with Frank Sinatra smoothness still don’t fare well when hitting on high school girls--but ultimately, Sid is a a good guy confined to the body of, well, a Good Guy.
Superstar + Season 6, Jonathan


Buffy: "Giles, do you have a Jonathan swimsuit calendar?"
Giles: "No. (pause) Yes. It was a gift."
One of the many reasons teenage girls and college professors alike adored the world of Sunnydale was the fact that it felt like a genuine place. Remember how on Beverly Hills 90210, a school introduced as a large, thriving megapolis where two Minnesotan twins would never register on any radar, the Peach Pit gang ultimately ended up being the only kids that had any significance on campus (save for the occasional guest star)? 
Buffy didn't do that. This was a one-Starbucks town that felt real, primarily because of its residents. Week after week, we recognized the head football jock Larry and witchy outcast Amy. Cordelia's minions didn't always have lines, but they generally had a consistency that made us believe they were more than extras of the week. 
No character personified this better than the dweeby, conflicted, and incredibly short Jonathan, played for all of Buffy's running time by future Sterling-Cooper-Draper-Pryce copywriter Danny Strong. At 5‘2 (still a half inch hanging over me) he was just about the only male that could make the diminutive Sarah Michelle Gellar look tall, something used to great effect for both comical and poignant reasons. 
But wait you say, isn't this month about villains? And now you’re throwing in TWO sympathetic little guys? Settle down, little ones. Remember that Sid may be a heroic demon hunter, but he’s still a ventriloquist’s dummy and hence, still evil. More importantly, dear Jonathan did indeed take on a darker turn as the years continued, flirting with a megalomaniacal alternate universe in the fan-favorite episode Superstar before turning all out evil--well, kinda sorta--in Season 6. Though Jonathan ultimately remained the least nefarious of Buffy's arch nemes--ises, he did indeed contribute to mild acts of civic crimes and for that alone, he earns his place here.



So give it up, wannabe Scoobs: who am I forgetting?

Sunday, September 5, 2010

Mass Transit Massacre

Rescue Mission Activate!
As some of you know and others don't care about, I spent the last year or so contributing to Pop Syndicate, a recently renovated website that lost all its past content (and writers). The following article appeared in 2009 and since you can't find it anywhere else in InterWorld, I'm rerunning it here. Apologies for the deja vu.






While riding the subway this morning, I experienced the occasional misfortune of hearing the sudden click followed by a very brief decrescendo. Once again, I had forgotten to charge my iPod. This being rush hour in one of the largest cities in the world, too many people were blocking my view of the new tet-heavy Dunkin' Donuts advertisement and I lacked the arm room to reach inside my bag for a book. What you ask, was a bored, half awake, rather irritable horror fan to do with only the screeching sounds of train tracks for entertainment?

Movie-filled imagination action, that's what. I've seen my share of bloodfests and know that the only thing scarier than watching someone die a painful death is realizing that the victim could be me, and the only thing more relaxing is realizing that it could be my enemy. And so, for those dark hours spent in mass transit (commonly known here as 7-9 AM and 4-7 PM), I present a few mind games to keep you sane and safe from boredom, danger, and the urge to kill the gum snapping secretary leaning on the center pole you can only grip with a pinky. Basically, you picture her death (and your subsequent survival) in your head via one of these scenarios:
Final Destination Destinies
The great thing about this growing franchise is that it gives paranoid obsessives like me an endless supply of things to fear. If a tanning booth and Slurpee can kill you, is there anything that can't? While your train is generally not stocked with life-threatening hazards (at least until the recession starts hitting mass transit budgets, that is), everyone around you is constantly at risk should Death draws their Metro card. 


That teenager applying mascara sitting next to the old man with an umbrella? Double eye gouging. The Mariachi band strumming away for spare change? One rough turn and those guitar strings could slice open a neck. An Mp3 player malfunctions to make some poor podcast listener's eardrums burst, sending a chunk straight into another commuter’s throat. A little boy munching on a peanut butter sandwich gets sick on the allergic man sitting nearby. He forgot to pack his  emergency kit. 
Anything could happen. Limits, thy name is not Tony Todd.
  
Battle Royale, Rush Hour Style
I can't think of many scenarios more awful than being whisked away to a deserted island, choked with a metallic and explosive collar, and forced to kill my friends and acquaintances. While I've been known to throw darts at blown up high school yearbook photos of cheerleaders back in my day, the idea of me having to kill--possibly with my own hands--is incredibly disturbing. 


At 8 AM on a Tuesday, however, that changes. State sanctioned murder is far more appealing when your bottom is dangling off a hard plastic seat because some sullen teenager next to you is comfortably stretching his legs in ways that would make my mother blush. Go ahead and airlift our subway car to the wilderness of Japan, fully fitted with danger zones and sharp rocks. I'll accept that AK47 or turn my government-issued pot lid into a neck-slicing apparatus if it means surviving in place of the irresponsible cyclist with a 10-speed standing on my foot.

The challenge here is twofold: 1) how do I survive when unarmed and wearing heels and 2) who's my real competition? Look around that car. Judge your fellow passengers. That skinny housewife may seem like a mouse, but imagine her fighting to defend the two kids she has in tow. Then size up the rugrats for further competition. For all you know, that fat college kid has no soul while the body builder's smoking habit will blast his endurance. Think hard. Just don't stare. Remember, the less people that believe the game is real, the higher your chances are for fictionally killing them without a fight. Plus, it’s rude.

Jason Takes Manhattan (or whatever metropolis you may inhabit)



Anyone who's seen the terrible/awesome eighth installment of Friday the 13th knows that Mr. Voorhees has no qualms about jumping a turnstile. Problem is, how can you possibly thwart him once the doors are closed? It's easy enough to use innocent bystanders as human shields in this scenario, providing your conscience can handle it. During rush hour, a machete can hack its way through quite a few grumpy suits, many of whom may prefer a fast death to another day at the office. Really, you’d be doing the a favor.
Eventually, however, you'll probably be forced to confront Crystal Lake’s number one hockey fan. Depending on which installment you consider to be genuine canon, the method of putting old JV out for a while may include a little electricity. One possible escape from certain death would be to lure Jason onto the third rail, but this is an ambitious plan that requires you to stay alive long enough to disembark the train and hope for the right chance to push. Too ambitious? Would you rather focus on saving your skin and leaving the dirty work to the pretty virgin you have befriended?
Sorry, but that's just as good as suicide. Nobody survives Jason; you die or kill him temporarily until the next series’ entry or your contract expires. Still, if you truly doubt your potential for ending a 90 minute massacre yourself, you could focus on escape.


My plan would be to run through the cars until an MTA policeman, seeing an easy ticket to fill his quota, takes action. By the time Jason catches up, I should be able to rile the law enforcer enough to merit a backup call. If nothing else, a few of NY's Finest will buy me time to cross the platform and hop on the express.
Urban Vampire Slayage
Subways--at least the ones that remain underground--seem like the perfect place for a blood-sucking night prowler to get his hunt on, what with the artificial lighting and a constant flow of diverse meals-in-heels. I doubt the more experienced vampires would feast during such high profile times as rush hour, but every group has its showoff. 
Your mission is to identify the carnivorous commuter and plan the much-harder-than-it-sounds disposal of said fiend. Remember the totally kickass subway fight between Spike and the 1970s slayer during Buffy’s fifth season? 




You probably won’t have that (unless you’re imbued with super strength, at which point you should have a better job than one that requires you to ride a death trap on tracks five days a week). Part of the game here is angles and tools. First, locate a weapon. A stray cane could work as a stake, or perhaps your odds are better of grabbing a schoolgirl’s pencil box and hoping she recently used her sharpener. From there, it’s all about locating the heart and finding the space to put enough force behind your stabbing. I’m sure physics has something to do with it.
Did I forget an important step? One that Sunnydale’s own heroine never mastered in seven years? The actual identification process is, of course, its own challenge. How do you spot a vampire at the start or end of your day, when your eyes are barely open enough to see the living things in front of you? Do you look for the palest person in your car, or is that just plain racist? Decide what makes a vampire and cautiously go from there.
I suppose you could transfer this game to other filmic villains as well. Any unibrowed figures hiding from the full moon, their necks absent of silver jewelry? Body snatching pod people lacking any sense of human emotion in their eyes? Henry-esque sociopaths trying to blend in or a separated conjoined twin clutching his basket/briefcase/backpack a little too closely, as if it may be housing a raging claymation Belial? New York City boasts an average of 5 million people riding the subway on any given weekday; the odds are pretty high that at least one of them is either a monstrous killer or misunderstood murderer you’ve seen the likes of before.
and of course, when all else fails, the Classic Zombie Contingency Commute



When a guy squeezes into the seat next to you smelling like the undead, you're rarely pleased, but if you're a zombie fan tired of reading the same ad for 20 minutes, you can at least be inspired. Forget, for a moment, the fact that the poor man hasn't showered since George Romero made a good movie and pretend instead that his rotting odor is the result of a crashed satellite, voodoo inspired resurrection or nuclear waste spillage. How much time do you have before his eyes open wide in search of a high protein snack?

As Max Brooks has pointed out, straphangers are pretty much the equivalent of canned sardines if stuck underground during an uprising--except, of course, these canned sardines taste really really good. Emergency exits don't provide much in the way of realistic refuge, but no zombie fan worth his or her weight in edible brains would give up so quickly; if nothing else, suicide must be improvised to minimize pain. That in itself is no easy task.
For those with stronger fighting spirit, however, the Zombie Survival Game is never more challenging than when played on the Metro. Can you swing that briefcase with enough force to successfully bash in every stench's head before they corner you? Should you spend time trying to free up a pole for pointed attacks, or is it better to just use it for leverage in getting a nice running kick at the right angle? Your chances are fairly slim, but daily brainstorming may very well prepare you to at least last long enough to make it to the next stop for a transfer. 


So what do you think, fellow commuting time killers with slightly psychotic tendencies? Is it wrong to imagine the guy holding open the automatic doors decapitated by his own sense of entitlement, or do morals evaporate when you’re stuck under the armpit of a fellow traveler in inexplicable train traffic while a bebop group sings out of tune?